Tablature guitare pour Guerilla Radio (var.13) de Rage Against The Machine télécharger gratuitement et lire ou jouer en ligne: fichier .txt, 6.33 kb a 307 vues et 0 téléchargements.
GUERRILLA RADIO - Rage Against the Machine
This is another cool RATM song....and easy...
The intro, bridge and Solo are double tracked in this song
you need a whammy, a wah and a flanger and a tremelo
i've done both guitar parts. They are one on top of eachother.
They are synchronized so that when gt 1 plays a note, gt2's note
is directly underneath it. (you'll work it out)
INTRO
gt 1 plays with TREMELO here
i really can't stress that enough
=======REPEATx16=======| }
E -----------------------| }
B -----------------------|G } I
G -----------------------|T }
D ------------------2--4-|1 } N
A 2--4--4--2-4--2-4-0--2-| }
E 0--2--2--0-2--0-2------| } T
}
E -----------------------| } R
B -----------------------|G }
G -----------------------|T } O
D -----------------------|2 }
A ------------------0--2-| }
E 0--2--2--0-2-0-2-------| }
1 & 2 & 3 & 4 &
CHORUS
========REPEATx7=======|
E -----------------------|-----------------|
B -----------------------|-----------------|
G -----------------------|2-------1--------|
D -----------------------|-----------------|
A ------------------0--2-|-----------------|
E 0--2--2--0-2-0-2-------|--22220---22220--|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
VERSE
this is just wah(i think it might be auto-wah)
o = full bass (all the way back)
+ = full treble (all the way forward)
=======REPEATx15=======|
E -----------------------|-----------------------|
B -----------------------|-----------------------|
G -----------------------|-----------------------|
D -----------------------|-----------------------|
A -----------------------|-----------------------|
E 02-2--02-2--02-2--02-2-|02---------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
o+ o+ o+ o+ o+
REPEAT CHORUS
REPEAT VERSE
(play first measure x7 instead of x15)
REPEAT CHORUS
(last measure is the same as the first 7
i.e. play the first measure 8x)
BRIDGE
turn on the flanger and the wah....
make a wide sweeping "motion" w/ the wah
over the whole measure...
========REPEATx8=======|========REPEATx8=======| }
E -----------------------|-----------------------| } B
B -----------------------|-----------------------|G }
G -----------------------|-----------------------|T } R
D -----------------------|-----------------------|1 }
A ------------------0--2-|------------------0--2-| } I
E 0--2--2--0-2-0-2-------|0--2--2--0-2-0-2-------| }
} D
E -----------------------|-----------------------| }
B -----------------------|-----------------------|G } G
G -----------------------|-----------------------|T }
D -----------------------|-----------------------|2 } E
A -----------------------|------------------0--2-| }
E -----------------------|0--2--2--0-2-0-2-------| }
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &
GUITAR SOLO
from what i know, what I've seen and the capabilities of my
guitar, I'm pretty sure this is how Tom plays the solo:
use the toggle switch and the wah and set the whammy to
harmonize up two octaves. These are all hammer-ons w/ the left
hand. Neck pickup vol. 0, Bridge pickup vol. 10....
ok...now the toggling pattern....
whenever you hammer-on, flick the switch to the bridge....
observe the notation..N = neck pickup, B = brigde pickup
=======REPEATx2========|
E -----------------------|-----------------------|--------------------------------|
B -----------------------|-----------------------|--------------------------------|G
G -----------------------|-----------------------|--------------------------------|T
D -----------------------|-----------------------|--------------------------------|1
A -----------------12----|-----------------12----|--------------------------------|
E 14--12-14--12-14-------|14--12-14--12-14-------|0--------------///////////////16|
+ o + o + + o + o + o + o o o o o o o o + + + + + + + + +
NB NB NB NB NB NB NB NB NB NB BNBNBNBNBNBNBNB
E -----------------------|-----------------------|
B -----------------------|-----------------------|G
G -----------------2-----|-----------------2--4--|T
D 4---2--4---2--4--------|4---2--4---2--4--------2|
A -----------------------|-----------------------|
E -----------------------|-----------------------|
=======REPEATx2========|
E -----------------------|-----------------------|------------------|
B -----------------------|-----------------------|------------------|G
G -----------------------|-----------------------|------------------|T
D -----------------------|-----------------------|------------------|1
A 14--12-14--14^14-12----|14--12-14--14^14-12----|----16-15/16-13---|
E -------------------14--|-------------------1412|14----------------|
E -----------------------|-----------------------|7---6-----5--4----|
B -----------------------|-----------------------|7---6-----5--4----|G
G 4---2--4---------------|4---2--4---------------|7---6-----5--4----|T
D -----------------------|-----------------------|------------------|2
A -----------------------|-----------------------|------------------|
E -----------------------|-----------------------|------------------|
N.B. - this is the studio version of the solo, tabbed for two guitars
he does it differently, playing the GT1 part and having the whammy set
to one ocatve harmonise.....
REST 8 measures....
OUTRO
both guitars here
===================REPEATx3====================|
E -----------------------|-----------------------|
B -----------------------|-----------------------|
G -----------------------|-----------------------|
D -----------------------|-----------------------|
A -----------------------|-----------------------|
E 0-2--14---0-2--14----|0-2--14---------------|
====================REPEATx3===================|
E -----------------------|---------------xxxxxxxx|
B -----------------------|---------------xxxxxxxx|
G -----------------------|---------------xxxxxxxx|
D -----------------------|---------------xxxxxxxx|
A -----------------------|---------------xxxxxxxx|
E 0-2--14---0-2--14----|0-2--14-------xxxxxxxx|
END
i reckon this is 100%.....
you may think different
and you probably will..
enjoy...
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